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Ibrahim Mahama’s ‘Parliament of Ghosts’, at Ibraaz gallery

Seventy-five chairs, from households across Ghana, are arranged ceremonially around a large neo-Baroque hall. Photo: Sue Blundell. I love the use of textiles in the visual arts, not least because as a traditional product of women’s creativity they have often been belittled as “craft items” or “women’s work”. Indeed, one of my favourite book titles […]

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